If Ms. Churchill's plays have one signature, it is their highly stylized conceits. The works are as creative in form as they are varied in content, as if she wants to push the boundaries each time. They feature, in different instances, flashbacks, twisted chronologies, huge leaps of logic, elements of absurdity, overlapping dialogue, different actors playing the same character in different scenes, interjected songs and, in the case of "Serious Money," dialogue written almost entirely in verse. "She is a structuralist," said Max Stafford-Clark, director of the Out of Joint theater company and longtime director of Ms. Churchill's work. "It's not just the range of subject matter, but also the form which is continually surprising to critics and audiences."
Sunday, December 05, 2004
Caryl Churchill, celebrated British playwright, profiled by Sarah Lyall in the New York Times.