There's an interview by Adam Sweeting in The Times and interesting analysis from Mark Lawson in Media Guardian (free registration required).
A favourite competition idea in literary magazines is the collaboration between unlikely writers and The Girl in the Café frequently feels as if Richard Curtis has been locked in a room with Trevor Griffiths: a sequence of floppy-haired confusion over the hotel booking for the couple will suddenly give way to a stretch of electrifying dialectic about dirty water supply.
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