Perhaps I've been unusually lucky, but in my experience, editors, far from coercing and squashing writers, do exactly the opposite, elucidating them and drawing them out, or, when they're exhausted and on the point of giving up (like marathon runners hitting the wall), coaxing them to go the extra mile. And yet this myth of the destructive editor - the dolt with the blue pencil - is pervasive, not least in academe. Perhaps the antipathy stems from the perceived difference between the publisher and the scholar: for whereas a scholarly editor, appearing late in the day and with the wisdom of hindsight, seeks to restore a classic, the publisher's editor is the idiot who ruined it in the first place.
Monday, August 08, 2005
Blake Morrison in The Observer laments the declining role of the editor, and argues that the quality of novels is falling as a result.