Screenplays come in all shapes, sizes and sensibilities. Some read like lean, mean machines, fueled with just enough tight, right detail to make for a vivid ride. Others are almost like novels in movie drag, cramming the pages with observation, philosophy and atmosphere. Most fall somewhere in between, and there are innumerable ways to personalize the form. Sometimes a seemingly overloaded narrative actually gets across a compelling voice; sometimes a "less is more" style ends up conveying merely less.
Friday, February 03, 2006
Billy Mernit looks at different screenplay writing styles.