I'm not aware of my consciousness working in that way at an early stage of writing. After it's got to a certain point, I then work very hard on the text, quite consciously. In other words, I just don't live in my unconscious the whole damn time. I keep an eye on it. But one of the most exciting things about being a writer is finding the life in different characters whom you don't know at all. To a certain extent, you've got to let them live their own life. But there's also a conflict constantly going on between you as the writer and them as the characters. Who's in charge? There's no easy answer to that. I suppose, finally, the author is in charge. Because, whether the character likes it or not, all I've got to do is take out my pen and do that (a gesture of erasure) and he's lost a line. It may be one of his favourite lines of dialogue [laughter]. But I've got the pen in my hand.There are lots of references to Pinter's Nobel lecutre, which you can read online if you missed it first time round.
Tuesday, March 14, 2006
Having won the Europe Theatre prize, Harold Pinter was interviewed in Turin by Michael Billington - their discussion is printed in The Guardian.