Irony is a time-honoured literary device, any writer can tell you that. And it’s ironic that publishers – traditionally fussy Oxbridge types with English degrees – are having to suck up to someone who studied drama at Birmingham University and who cheerily admits that “I don’t really know anything about books at all”. When 44-year-old Ross, a powerful TV producer, founded the Richard & Judy Book Club three years ago, publishers barely deigned to look up from their proofs. Daytime TV, they assumed, was the domain of council-house illiterates and Daz adverts. Another nail in the coffin of Britain’s literary culture, they lamented.
But Ross had a hawk’s eye for storytelling.
Of the 100 bestselling titles last year, 21 were by authors discussed on the Richard & Judy Book Club – all chosen personally by Ross. Publishers couldn’t console themselves with the thought that she had dumbed down Britain’s bookshops because in fact she had done the opposite. “I don’t know what a literary book is. As long as it has a good story, who cares?” she has said.
Thursday, February 22, 2007
In The Times, Stefanie Marsh meets Amanda Ross, the woman behind Richard and Judy's Book Club.