The Times is giving away free screenplays this week, and to go with the offer they're talking to writers about their scripts.
With Billy Elliot I was involved with every detail, arguing for hours with Stephen. He had come from theatre so the atmosphere was very collegiate. It wasn’t a case of making big changes but small things to alter the emphasis. We didn’t get the broader political context of the miners’ strike in – frustrating, but we did get it into the stage play – because of the emotional balance of the film. Your screenplay will inevitably be f***ed up, but something good may come out of that f***ing up.
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