I was particularly struck by this comment from Ceri Meyrick:
Again, as last year, it was often the theatre play scripts that stood out for their originality, maybe because writers felt they had more freedom with the format. There were certainly many technically competent television screenplays, but some of these told rather boring stories, or that simply wallowed in depression.It would be interesting to know how many of the successful Writers' Academy applicants have come from a theatre background. Would aspiring screenwriters be wise to spend as much time writing stage plays as scripts?
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