The story [within Brown's stage show] is both an unlooked-for beauty and a lovely misdirection and – along with many other secretive and sneaky elements – it means that, for a while, we can believe in miracles and people who've never existed and a range of exhilarating and puzzling and moving possibilities. As an audience member, this makes me jump up and applaud like a happy sea lion. As a writer, this reminds me that the magical fraternity have rather deftly (and typically) pocketed the term thaumaturgy – the working of wonders – for themselves, when really all the arts should have access to it, including the writers and – for goodness' sake – shouldn't I be trying to learn from those stories, from those illusions, when I'm in the business of making my own? I would say so.
Friday, May 28, 2010
Lessons in storytelling from Derren Brown
On The Guardian Books Blog, AL Kennedy argues that writers can learn from perfomers like issulionist Derren Brown.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: only a member of this blog may post a comment.