...the awful truth about scripts and coverage is that Concept/Premise is often all that matters. So what's the hook in your movie? What inventive idea will move those top line marks to the left? What unique angle on a same-old subject will get your script read by anyone other than, well... me?
Monday, May 31, 2010
Script coverage: a few awful truths
On his blog, Billy Mernit gives the inside scoop on Hollywood script reports.
Labels:
film
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