- David Lemon reveals a longer trailer for his upcoming feature, Faintheart
- Danny Stack announces the August Script Liberation
- Stephen Gallagher offers a free downloand of his short-story In Gethsemane
- Piers Beckley learns lessons about making short films
Record your sound separately
Seriously, this is the most important thing I learned. Always have a separate soundtrack.
I knew one sound guy, and he's no longer working in the business. I tried a couple of other leads, but time was getting short, and the DP swore blind that we could just run the sound from the boom mike into the camera and it would be fine.
Not having a separate sound guy is the worst mistake you can have.